Busy Time at Circle B Productions

We have four feature films undergoing active production efforts. It is common for Olivia to spend time on all four films each and everyday. "Broken Ankle", "Singlewide Pride", "Terror at the Dragon's Teeth: The Tragic Sinking of the SS Brother Jonathan" and "Fawn's Justice" require constant nurturing. My main focus is our documentary film about the sinking of the SS Brother Jonathan off the coast of Crescent City on July 30th, 1865.

We are often asked "Why don't you just work on one film at a time until it's done before starting on another film?" The answer is the development of AI. The impact of AI will upend the 3D Animation workplace. In the next few years work on 3D Animation will be radically overhauled. Projects that take Olivia months to create at the present time will be reduced to a weeks. Work now taking weeks to produce will be completed in days. Items now taking days will be reduced to minutes.

Give those parameters it makes sense we focus on creating amazing screenplays worthy of production efforts. That includes getting actors hired, releases signed and people paid so the dialogue can be recorded and edited. Please note we remain committed to using human actors for our films, even though there are AI voice options on the market.

My creative focus is moving our documentary film about the SS Brother Jonathan towards an early 2027 release. Other than voice work and B-Roll the rest of the film is being created by AI, so I'm tasked with getting a firm grip on employing AI as a film creation vehicle. I'm experiencing a crash course on Open.AI and OpenArt.AI while keeping up-to-date on other options, which seem to pop up every day. The image was created for specific scenes in our documentary film. They will serve as the blueprint as we move towards creating our film with Seedance 2.0, Kling 3.0 or Veo 3.1.